Each character denies the feminine experience in his\her own way there are such feminine aspects as the denial of the gestation of the child of Stella-Rondo, the belief of falsehood against Sister and the reality that the main character has no name. However, Sister depicts Stella-Rondo’s family as turning against her, because she wants to move back into the house after a divorce. There is a feminist point of view in Sister’s seething disgruntlement a need to solve a spirit wounded by male rejection. Sister is exiled from her family, which includes a large part of the town and the local mail, as her alienation from the world.įrom the feminist perspective, Sister does not become truly liberated in her attempt at independence.
The main character does not feel an independence because her immaturity and jealously within herself leads her to isolation but not to the psychological independence. This proud sense of freedom quickly fades. Sister realizes this negative force and declares her freedom by moving to the P.O. Whitaker, Stella-Rondo’s child, and her sister’s attempt to set the whole family “against her” increase aggravations in the main character. Her family’s preference towards her younger sister, the marriage of her younger sister to her former boyfriend Mr. Sister obviously suffers from an intensive jealousy towards Stella-Rondo.
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Psychologically, a Sister’s jealousness does not give her any possibility to break free from her family. She paints every member of her family as being deceitful and crazy saying that she predicted Stella-Rondo’s fate. Sister decided to prove that Stella-Rondo said falsehood about the parentage of Shirley-T. Whitaker, telling, “I knew from the beginning he’d up and leave her” (Welty 121). The jealous relationship with Stella-Rondo characterizes Sister, moreover the fact about Stella-Rondo’s situation in marriage delights Sister, and the main character even taunts her sister about the abandonment of Mr. Sister and Stella-Rondo have a conflict at the beginning of the story, because Stella-Rondo comes back home with her daughter, moreover she says that a child is adopted. Eudora Welty shows Sister’s jealousy by pointing out that when her sister is away, the main character has an authority in the house, but she loses her power as soon as Stella-Rondo comes back. The main heroine feels favoritism and preferences in her family. Whitaker abandoned her in favor of Stella-Rondo.
To bolster self-esteem, Sister fights delusive images while concealing from herself jealously that Mr. At the crux of the first person account is Sister’s need to triumph to her rivalry with her younger sibling, Stella-Rondo. Want to make sure we can complete your complex assignment?įrom a psychological point of view, Sister takes a step towards adult life.